Thursday 13 June 2013

Shivering Barometric Pressure

Friends, I find me in a deeply dangerous situation.

The wind moves. The keyboard is warm and welcomes use. A blank page: unused file space. What delicious adventure.

The world is filled with broken tree limbs, gardens filled with clay, air still as algae, the body made of sweat at the very edge of a heavy terrible headache. Summer becomes.

Sleep may be a dream tonight, waiting for the cool to land.

I crave books of walks, long conversations, politics, morality, food – ah, food – dusty travel and bitter endings.

It has been more than a month since I read the review copy of The Art of Joy and still I cannot face fiction that is uncrowned with the name ‘canon’ – how I relished it!

It would be a lie to say that to be surrounded by Beauty makes noticing that which is beautiful difficult to see. It would be more correct to say that there are different ways to see Beauty, because it takes every different form. Sapienza’s great work shocks, titillates and provokes as it draws you in almost tenderly without care or gentle caress. This novel, much like its protagonist, does not need to care for you, but does need you. I do not remember the last time that I jumped when addressed by the author. (I am sure that it has happened before. It is forever a shock to be seen instead of safely invisible, regardless of the circumstances.) When Modesta calls out the fourth wall, it is destroyed. Such is her power and the strength of her narrative.

The constantly shifting routines of work and life have begun to be familiar, and now there is time for getting into trouble again. Trouble in my world is in story, fairy tales and odd little sestinas. The USPS and I occasionally are on again.

This evening my fingers found themselves in motion on these keys, with nothing else to add but what they themselves created.

I am out of practice, but the habit and muscle memory are well established. I do not miss the troublesome rush of creation or the conflicted afterglow: exhausted exhilarated stiff with stillness and incapable of the moment, whatever moment it is. I am terrible at drugs, even the ones that are the same as just being me: learning, connecting and occasionally creating.

It’s strange and unwholesome, I tell you.

How do I know this?

I’m still typing.



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